A collection of work and sculptural studies. A play with material, design and meditations
Artist Statement
My work investigates how space holds memory, how structures imply both stability and vulnerability, and how light delineates meaning even in the absence of complete form. Through architectural fragments, thresholds, and spatial divisions, I explore balance, tension, and perception as lived conditions rather than fixed states.
I am interested in environments shaped by what has been removed as much as what remains — spaces where absence becomes active, and where viewers complete the work through their own embodied perception. Light functions as a material in my practice, revealing edges, suggesting boundaries, and drawing attention to what is no longer visible. Rather than narrative or representation, my work operates through restraint, accumulation, and subtle shifts that mirror how memory and experience are held over time.
My approach is informed by a background spanning fine art and cinematic space-making. I studied printmaking in Florence and received a BFA from The Cooper Union, with additional study at Malmö Art Academy, where I engaged with international contemporary practices.
Alongside an ongoing studio practice, I have spent years working in film, television, and commercial production, designing physical environments that shape emotional experience through texture, color, scale, and light. That work sharpened my sensitivity to how space operates psychologically — how minimal adjustments can profoundly affect perception.
In recent years, my practice has been shaped by processes of rupture and rebuilding. Working within constraint has intensified my focus on structure, fragility, and the generative potential of limitation. Destruction is not an endpoint in my work, but a method — a way of clearing space for new forms to emerge.
Ultimately, my work asks how we rebuild meaning from fragments, how environments carry emotional residue, and how clarity can arise not from completion, but from attention.
